“I’m fortunate enough to be me,” says Jo. She’s talking about what
the best thing about being a young woman is. She’s smiling, radiating
gratitude.
Jo and I meet outside Peter Rabbit, a café on Hindley Street that
looks like a huge front garden, complete with path leading to the enclosed
area. The wood fire’s burning. There are also two rabbits in residence.
“You look so cute!” She says as she walks to close the gap between
us, arms open to embrace me. Jo is no different to a ‘welcome home’ banner when
you’ve been away for months.
While we wait for our food – Jo gets the dukkha eggs and a
cappuccino, I get carrot cake and a soy latte – we talk about our week so far,
mainly focusing on university. Jo asks what my course (journalism) is like in
terms of diversity. I tell her minimal, and she says, “Essentially, you guys
are going to be the future of the media that we listen to.”
“Do you reckon it’s because they [people of colour] feel
discouraged? That they feel that they, as people, have been treated like
they’re less valid of having an opinion so they feel discouraged to pursue a
potential career in that field?”
The interview hasn’t officially started, yet she’s about to answer
all my questions. This is what it’s like being friends with Jo. You feel like
you’re changing the world through conversation. And maybe this is how we can change it. By having open
discussions.
Eighteen year-old Josephine Ainscough has the world at her
fingertips. She’s half-Indonesian, studies film, has a large following on
social media, and runs a popular blog with her best friend. She’s Adelaide’s
very own ‘It Girl’.
The waiter brings out our food and tells us we’re going to get rained
on if we keep sitting outside. Jo tells him it’s all about positive thinking.
I acknowledge that I’m not a woman of colour, and that reporting on
minority groups as a white person can be problematic. Being able to sit and
listen to someone talk about their experiences and for my opinions to be
irrelevant is so important.
Jo describes her identity as being stuck in limbo.
“When I was younger I struggled with the concept of ‘but they don’t really want me, so what am I?’”
Seeing herself reflected back in the media was uncommon, and while Jo says she
loved Mulan and Pocahontas due to seeing parts of herself in them, they weren’t
a completely accurate representation of her.
“Being bi-racial is still uncharted territory in the media… I see
half of me in the media. I don’t see the other half. Where is that?”
While studying film sounds difficult enough, she explains the many
other pressures and difficulties she has tackled with being a woman of colour
in the classroom and industry.
“In class me and my friend are the only people of colour, and we’re
both half-white, too. So as a whole, we’re one person of colour.” She laughs. Jo
sees the humour in everything, but she’s serious. Serious about change and her
capability to make it happen.
When Jo mentions she’s done some acting in the past and would
consider it again in the future, she brings up the problems with casting and
roles.
“I would be cast as a ‘nerdy Asian’ and I’m better than that.” She’s
not being arrogant when she says this. She’s speaking for everyone who’s gone through
a similar struggle. “It’s either the sexy Asian or the nerdy Asian and I don’t
want to be either.”
Although she doesn’t say it outright, it seems like writing is on
the cards, too.
“I can actually do something with the abilities that I have in film
[creating roles], whereas as an actor you just have to wait.”
Earlier in the morning she told me that she wants to give her
characters “the privilege of being bored” on screen. I heard the whole world
applaud.
“I want it to be so normalised for people of colour being in films
that they can be looking out the window.”
“When people talk about representation in film, it’s like ‘I want to
hear their stories and their struggle’, like ten years a slave. Seven years a
slave? How many years?” She stops and laughs. “Enough years. And yeah, those
stories are really powerful but we’re exploiting minorities in that their
stories have to be so amazing that we
care about them.”
Shows such as Girls and Broad City are progressive due to being
made by and featuring young women. Although Jo and I agree that the latter is
better because of representation of faith and people of colour, the two are
still mainly focused around white people.
“Even the things that are progressive aren’t as progressive as they
could be.”
“Having to be like ‘Wait a second, is what I’m watching in line with
the progressive mindset that I have?’ Because sometimes I just watch dumb shit
and I’m like ‘Yeah!’ then I realise there were no females, there were only
white males.”
The idea of a struggling artist is one all young people involved in
the arts are aware of, and most have come to accept. Jo is definitely one of
them.
“I don’t want to wake up 45 and be like ‘What the fuck have I done’…
I’m keen for stability but I don’t think my job will ever be really stable,”
her whole face lights up. “But that’s exciting. A bit of spontaneity is nice.”
Talking about the future gives Jo an air of hindsight before she’s
even begun.
“I want to be proud of the shit that I do and be proud of the stuff that
I create for myself more than anyone else. Well, firstly for myself. If other people like it, then cool, that’s
great.” I mention that it’s similar to getting dressed. She agrees. “Yeah. I’m
glad you enjoy how I dress but I like it first so that’s what’s most important.
It’s not for your validation.”
The second time we catch up for this interview, Jo’s wearing an
oversized shirt, white overalls, a bandana tied around her neck, and sunglasses
that give a nod to the 60’s. At one point she starts to fiddle with her bandana,
then freezes. “It took me ages to get this to lie flat this morning.”
Some people treat choosing an outfit as dressing up as a character.
Whether Jo sees it like this or not, you can feel her energy by how she’s
presenting herself to the world that day by her costume. Today – and all days –
she is cool. Effortlessly so. This is how I’ve always known Jo to be, though.
She’s the type of cool that makes you want to find white overalls because you
saw her wear them once. (I might have done this.)
Aside from film and fashion, another form of self-expression Jo has
a love for is photography. As soon as she mentions this, she addresses an issue.
“You say that [you take photos] and people expect you to pull out your film
camera. I pull my iPhone out and take a photo of my coffee.”
Her unapologetic attitude to using her phone prompts me to reflect
on a coffee date I had with Jo late last year. We had gone to a
hole-in-the-wall café I didn’t know existed (all part of Jo’s charm) and she took
a photo of her food on her phone. She hesitantly stood up from the table to get
a better angle and then said, “No, fuck it, why is there a taboo on taking photos
on your phone in public?” I tell her how much I loved that outburst, and she shakes
her head, smiling, seemingly embarrassed she had said that and by me
remembering it. She proves me wrong. “Why should we be embarrassed? It’s a
function that’s on everybody’s phone these days.”
Jo’s Instagram boasts almost ten thousand followers and is a collection
of photos of her friends, plants, scenery, food, and her own face. It’s an
accurate and eclectic representation of her every day. When I ask about
branding, she scoffs.
“I’m very aware of what you show is how people portray you, whether
it’s accurate or not. But I’m like,” she waves her phone around and pretends to
take photos, “and then you’ll see it on Instagram later. That’s literally the
extent of me building a brand.”
“I’m not trying to curate this image of me. I would rather someone
meet me and have a good perception of me than see me online and be like ‘Oh my
god, I really wanna hang out with her’ because of pictures of food and a tree.”
With Jo’s following on social media, and having hundreds of
likes/reblogs on photos of her striking face, she tells me a story of when she
got recognised before school a couple of years ago. She had fallen asleep on
the tram and as she had gotten off a girl grabbed her by the arm and asked,
“Are you Jo?” Jo’s sister later told her that the girl had been taking photos
of her sleeping. Jo bursts into peels of laughter. “That’s so funny. Some girl
has photos of me sleeping on her phone!”
As we walk back down the path to leave the café, a group of girls
catch sight of Jo and watch us leave. It’s clear they recognise her. She smiles
cheekily. “Should I wave?”
Jo’s heading into uni and I’m going home, but I catch the bus in the
opposite direction for a few stops to spend more time with her.
This is what it’s like to be friends with Jo. You’ll do anything for
five more minutes.
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